{"id":35615,"date":"2021-05-06T15:30:05","date_gmt":"2021-05-06T19:30:05","guid":{"rendered":"https:\/\/elatlantico.do\/?p=35615"},"modified":"2021-05-06T16:39:35","modified_gmt":"2021-05-06T20:39:35","slug":"malpaso-con-12-candidaturas-y-cabarete-9-en-los-premios-platino","status":"publish","type":"post","link":"https:\/\/elatlantico.do\/index.php\/2021\/05\/06\/malpaso-con-12-candidaturas-y-cabarete-9-en-los-premios-platino\/","title":{"rendered":"Malpaso con 12 candidaturas y Cabarete, 9 en los Premios Platino"},"content":{"rendered":"<div class=\"pvc_clear\"><\/div><p id=\"pvc_stats_35615\" class=\"pvc_stats all  \" data-element-id=\"35615\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/elatlantico.do\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p><div class=\"pvc_clear\"><\/div><!-- VideographyWP Plugin Message: Automatic video embedding prevented by plugin options. -->\n\n<p class=\"wp-block-paragraph\">Las producciones elegidas para representar a Rep\u00fablica Dominicana, como Mejor Pel\u00edcula Iberoamericana de Ficci\u00f3n, son&nbsp;<em>Cabarete<\/em>, de Iv\u00e1n Bord\u00e1s Butler,&nbsp;<em>Malpaso<\/em>, de H\u00e9ctor Valdez, y&nbsp;<em>Papi<\/em>, de Noelia Quintero Herencia. Bord\u00e1s Butler y Valdez postulan en la categor\u00eda de&nbsp;Mejor Direcci\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adeuri Corniel, por&nbsp;<em>Cabarete<\/em>,y Luis Bryan Mesa, por&nbsp;<em>Malpaso<\/em>, han sido los preseleccionados en la categor\u00eda de&nbsp;Mejor Interpretaci\u00f3n Masculina. Para la nominaci\u00f3n a&nbsp;Mejor Interpretaci\u00f3n Femenina,&nbsp;Lucie Debay, por&nbsp;<em>Cabarete<\/em>y Avril Alc\u00e1ntara, por&nbsp;<em>Papi<\/em>, han sido las int\u00e9rpretes dominicanas preseleccionadas.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los PLATINO tambi\u00e9n reconocen por primera vez a actores y actrices de reparto en sus dos nuevas categor\u00edas, a las que optan Marie Michelle Bazile (<em>Malpaso<\/em>) y Hony Estrella (<em>Papi<\/em>) en&nbsp;Mejor Interpretaci\u00f3n Femenina de Reparto&nbsp;y F\u00e9lix Aquino (<em>Atravesando el Jord\u00e1n<\/em>) y Ariel D\u00edaz (<em>Malpaso<\/em>) en&nbsp;Mejor Interpretaci\u00f3n Masculina de Reparto.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Efecto pandemia<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A pesar de la pandemia los 23 pa\u00edses est\u00e1n representados en los &nbsp;PLATINO ha llegado este a\u00f1o a las casi setecientas obras.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este a\u00f1o la industria audiovisual iberoamericana ha disminuido un 24% con respecto al a\u00f1o anterior, demostrando su&nbsp;capacidad de adaptaci\u00f3n a pesar de la pandemia global.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los Platino, a finales del mes de mayo se dar\u00e1 a conocer la shortlist con las 20 candidatas por cada categor\u00eda, y las nominadas finales de junio cuando cuatro finalistas por categor\u00eda.&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los 21 pa\u00edses que tienen precandidaturas para los galardones en el apartado cinematogr\u00e1fico, la diferencia en la cantidad de pel\u00edculas seleccionadas es m\u00ednima: M\u00e9xico lidera la lista con un 8% de las preselecciones, seguida de cerca por Argentina, Brasil, Chile, Espa\u00f1a y Portugal, todas ellas con un 7%. Caso similar ocurre en las candidaturas a series: Espa\u00f1a domina las producciones presentadas con un 18%, seguida por M\u00e9xico (14%), Argentina (12%) y Colombia (11%).<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Colaboraci\u00f3n de Jos\u00e9 Rafael Sosa<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"531\" src=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2021\/05\/Ariel-D\u00edaz-y-Luis-Bryan-Mesa-los-dos-jovenes-protagonistas-de-Malpaso.-copia.jpg\" alt=\"\" class=\"wp-image-35617\" srcset=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2021\/05\/Ariel-D\u00edaz-y-Luis-Bryan-Mesa-los-dos-jovenes-protagonistas-de-Malpaso.-copia.jpg 800w, https:\/\/elatlantico.do\/wp-content\/uploads\/2021\/05\/Ariel-D\u00edaz-y-Luis-Bryan-Mesa-los-dos-jovenes-protagonistas-de-Malpaso.-copia-300x199.jpg 300w, https:\/\/elatlantico.do\/wp-content\/uploads\/2021\/05\/Ariel-D\u00edaz-y-Luis-Bryan-Mesa-los-dos-jovenes-protagonistas-de-Malpaso.-copia-768x510.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Las producciones elegidas para representar a Rep\u00fablica Dominicana, como Mejor Pel\u00edcula Iberoamericana de Ficci\u00f3n, son&nbsp;Cabarete, de Iv\u00e1n Bord\u00e1s Butler,&nbsp;Malpaso, de H\u00e9ctor Valdez, y&nbsp;Papi, de Noelia Quintero Herencia. Bord\u00e1s Butler y&#8230;<\/p>\n","protected":false},"author":4,"featured_media":35616,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[175],"class_list":["post-35615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-cultura"],"a3_pvc":{"activated":true,"total_views":443,"today_views":0},"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/elatlantico.do\/wp-content\/uploads\/2021\/05\/DSC_0424-1.jpg","_links":{"self":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts\/35615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/comments?post=35615"}],"version-history":[{"count":0,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts\/35615\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/media\/35616"}],"wp:attachment":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/media?parent=35615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/categories?post=35615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/tags?post=35615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}