{"id":119532,"date":"2025-09-12T10:02:33","date_gmt":"2025-09-12T14:02:33","guid":{"rendered":"https:\/\/elatlantico.do\/?p=119532"},"modified":"2025-09-16T17:53:39","modified_gmt":"2025-09-16T21:53:39","slug":"postales-del-mas-aca-retratos-a-la-esencia-de-la-ciudad","status":"publish","type":"post","link":"https:\/\/elatlantico.do\/index.php\/2025\/09\/12\/postales-del-mas-aca-retratos-a-la-esencia-de-la-ciudad\/","title":{"rendered":"\u00abPostales del m\u00e1s ac\u00e1\u00bb: retratos a la esencia de la ciudad"},"content":{"rendered":"<div class=\"pvc_clear\"><\/div><p id=\"pvc_stats_119532\" class=\"pvc_stats all  \" data-element-id=\"119532\" style=\"\"><i class=\"pvc-stats-icon medium\" aria-hidden=\"true\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"far\" data-icon=\"chart-bar\" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 512 512\" class=\"svg-inline--fa fa-chart-bar fa-w-16 fa-2x\"><path fill=\"currentColor\" d=\"M396.8 352h22.4c6.4 0 12.8-6.4 12.8-12.8V108.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v230.4c0 6.4 6.4 12.8 12.8 12.8zm-192 0h22.4c6.4 0 12.8-6.4 12.8-12.8V140.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v198.4c0 6.4 6.4 12.8 12.8 12.8zm96 0h22.4c6.4 0 12.8-6.4 12.8-12.8V204.8c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v134.4c0 6.4 6.4 12.8 12.8 12.8zM496 400H48V80c0-8.84-7.16-16-16-16H16C7.16 64 0 71.16 0 80v336c0 17.67 14.33 32 32 32h464c8.84 0 16-7.16 16-16v-16c0-8.84-7.16-16-16-16zm-387.2-48h22.4c6.4 0 12.8-6.4 12.8-12.8v-70.4c0-6.4-6.4-12.8-12.8-12.8h-22.4c-6.4 0-12.8 6.4-12.8 12.8v70.4c0 6.4 6.4 12.8 12.8 12.8z\" class=\"\"><\/path><\/svg><\/i> <img loading=\"lazy\" decoding=\"async\" width=\"16\" height=\"16\" alt=\"Loading\" src=\"https:\/\/elatlantico.do\/wp-content\/plugins\/page-views-count\/ajax-loader-2x.gif\" border=0 \/><\/p><div class=\"pvc_clear\"><\/div><!-- VideographyWP Plugin Message: Automatic video embedding prevented by plugin options. -->\n\n<p class=\"wp-block-paragraph\"><strong>Santo Domingo.-<\/strong>\u00a0Cada ciudad guarda sus propias historias, pero pocas veces se cuentan desde tan cerca, con la honestidad de quien ha crecido entre sus calles y aprendido a escuchar sus silencios. Esa es la invitaci\u00f3n de\u00a0<strong>Postales del m\u00e1s ac\u00e1<\/strong>, la primera exposici\u00f3n individual del cineasta y artista visual dominicano\u00a0Adri\u00e1n D\u00edaz N\u00fa\u00f1ez, que se exhibe en el Centro Cultural de Espa\u00f1a, hasta el\u00a026 de octubre, con una actividad especial de cierre el\u00a018 de octubre.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En este debut expositivo, D\u00edaz N\u00fa\u00f1ez re\u00fane m\u00e1s de&nbsp;50 fotograf\u00edas y piezas audiovisuales&nbsp;que rescatan lo cotidiano y lo popular de la capital dominicana, no como simple tel\u00f3n de fondo, sino como esencia viva de una identidad compartida. Son fragmentos m\u00ednimos \u2014un gesto, una esquina, un rostro, un objeto en movimiento\u2014 que juntos construyen un retrato m\u00e1s amplio de la dominicanidad: vibrante, nost\u00e1lgica y profundamente humana.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">\u00ab<strong>&nbsp;Postales del m\u00e1s ac\u00e1<\/strong>&nbsp;nace de lo que vi y viv\u00ed en Santo Domingo durante mi infancia. Aquella ciudad que a principios de los 2000 nos vend\u00edan como el &#8216;nuevayol chiquito&#8217;. Hay una nostalgia en esas im\u00e1genes que rescatan momentos fugaces, aparentemente peque\u00f1os, pero que narran lo que somos\u00bb, explica el artista.<\/p>\n\n\n\n<div class=\"wp-block-jetpack-slideshow aligncenter\" data-effect=\"slide\"><div class=\"wp-block-jetpack-slideshow_container swiper-container\"><ul class=\"wp-block-jetpack-slideshow_swiper-wrapper swiper-wrapper\"><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-119533\" data-id=\"119533\" src=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-1024x576.jpg\" srcset=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-1024x576.jpg 1024w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-300x169.jpg 300w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-768x432.jpg 768w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-100x56.jpg 100w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-1536x864.jpg 1536w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-2048x1153.jpg 2048w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-777x437.jpg 777w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Postales-del-Mas-Aca-120x67.jpg 120w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-119535\" data-id=\"119535\" src=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Adrian-Diaz-Nunez-presenta-Postales-del-Mas-Aca-1024x682.png\" 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https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista.-2-JPG.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><li class=\"wp-block-jetpack-slideshow_slide swiper-slide\"><figure><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"577\" alt=\"\" class=\"wp-block-jetpack-slideshow_image wp-image-119538\" data-id=\"119538\" src=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-1024x577.jpg\" srcset=\"https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-1024x577.jpg 1024w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-300x169.jpg 300w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-768x432.jpg 768w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-100x56.jpg 100w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-1536x865.jpg 1536w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-777x437.jpg 777w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista-120x67.jpg 120w, https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/Visitantes-a-la-exposicion-junto-al-artista.jpg 2000w\" sizes=\"(max-width: 1024px) 100vw, 1024px\" \/><\/figure><\/li><\/ul><a class=\"wp-block-jetpack-slideshow_button-prev swiper-button-prev swiper-button-white\" role=\"button\"><\/a><a class=\"wp-block-jetpack-slideshow_button-next swiper-button-next swiper-button-white\" role=\"button\"><\/a><a aria-label=\"Pause Slideshow\" class=\"wp-block-jetpack-slideshow_button-pause\" role=\"button\"><\/a><div class=\"wp-block-jetpack-slideshow_pagination swiper-pagination swiper-pagination-white\"><\/div><\/div><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">La exposici\u00f3n incorpora una instalaci\u00f3n que muestra los restos de un veh\u00edculo emblem\u00e1tico de Santo Domingo, acompa\u00f1ada por fotograf\u00edas que documentan su recorrido y desaparici\u00f3n. Este cierre visual subraya la idea de que el tiempo es limitado y que los momentos cotidianos, aunque breves, tienen un profundo significado.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En una \u00e9poca donde lo espectacular tiende a ocultar lo esencial, Adri\u00e1n D\u00edaz N\u00fa\u00f1ez invita a mirar la vida desde la autenticidad y la cercan\u00eda.&nbsp;\u201c<strong>Postales del m\u00e1s ac\u00e1<\/strong>&nbsp;surge como una exploraci\u00f3n \u00edntima del entorno; a trav\u00e9s de gestos y escenas simples, colores y sonidos genuinos de la ciudad, rescatando la verdad cotidiana genuina lejos de cualquier artificio y celebra la identidad viva de Santo Domingo\u201d, concluye.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Sobre el artista<\/strong><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nacido en Santo Domingo en 1995,&nbsp;Adri\u00e1n D\u00edaz N\u00fa\u00f1ez&nbsp;se form\u00f3 como cineasta en la Escuela de Cine, Televisi\u00f3n y Fotograf\u00eda (ECTF) de la&nbsp;Universidad Aut\u00f3noma de Santo Domingo (UASD).&nbsp;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Su trayectoria incluye reconocidos proyectos audiovisuales nacionales e internacionales, desde videoclips hasta documentales y cortometrajes. Entre sus logros destacan el galard\u00f3n&nbsp;a Mejor Documental por \u00abMedia Luna\u00bb&nbsp;en el Festival Lib\u00e9lula Dorada (2018), el&nbsp;Premio del Jurado por \u00abMarea\u00bb&nbsp;en el Dominican Film Festival New York (2024) y la serie web \u00abCuarentena\u00bb, transmitida en la cadena espa\u00f1ola Betev\u00e9.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 2019 particip\u00f3 en la residencia art\u00edstica de cine \u201cCastello Errante\u201d, en Italia, donde trabaj\u00f3 junto a creadores de toda Latinoam\u00e9rica en un laboratorio intensivo de experimentaci\u00f3n creativa audiovisual.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Santo Domingo.-\u00a0Cada ciudad guarda sus propias historias, pero pocas veces se cuentan desde tan cerca, con la honestidad de quien ha crecido entre sus calles y aprendido a escuchar sus&#8230;<\/p>\n","protected":false},"author":4,"featured_media":119536,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[6],"tags":[653,5792,5793,175,5795],"class_list":["post-119532","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura","tag-arte","tag-arte-visual","tag-artistas-visuales","tag-cultura","tag-postales-del-mas-aca"],"a3_pvc":{"activated":true,"total_views":29,"today_views":0},"jetpack_featured_media_url":"https:\/\/elatlantico.do\/wp-content\/uploads\/2025\/09\/El-artista-Adrian-Diaz-Nunez.png","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts\/119532","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/comments?post=119532"}],"version-history":[{"count":1,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts\/119532\/revisions"}],"predecessor-version":[{"id":119543,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/posts\/119532\/revisions\/119543"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/media\/119536"}],"wp:attachment":[{"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/media?parent=119532"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/categories?post=119532"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/elatlantico.do\/index.php\/wp-json\/wp\/v2\/tags?post=119532"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}